"I credit D. Michael with helping me tremendously with finding my voice as Madame Giry in 'PHANTOM'.  As an understudy one has to be ready to jump in at any moment and I feel confident and free with my voice, using the techniques I learned studying with him. D. Michael concentrates on the individual's needs and I have grown as a singer with him, and use his vocalizations continuously when warming up and throughout performances." 

Bio:
Mary Illes is currently in THE PHANTOM OF THE OPERA on Broadway.  Other Broadway credits include: THE MUSIC MAN/Marian understudy, "The Scarlet Pimpernel", "Steel Pier" and "She Loves Me".  She played Dona Lucia D'Alvadorez in "Where's Charley?" at Goodspeed, Mrs. Erlynne in Noel Coward's "After the Ball" at Irish Rep. 

"D Michael is truly the most brilliant voice teacher available… His understanding of the voice is unparalleled and so is his commitment to his students. I would be completely lost in the professional world without him, and through the work that we do in his studio; I have managed to stay consistently employed on the Broadway stage. I know for a fact that I would not be able to compete in New York without him. He is like my secret weapon in the battle for artistic employment, and I would highly encourage anyone serious about furthering their career to study with him… I would honestly not be where I am today without him…"

Bio:
Broadway: CHICAGO (Billy Flynn), A CHORUS LINE (Don), LEGALLY BLONDE, THE PRODUCERS. National tour: CHICAGO (Billy Flynn). Film and television: Kinsey, The Producers, Curb Your Enthusiasm. Jason Patrick is a graduate of the College Conservatory of Music/University of Cincinnati.

"D. Michael was recommended to me by a Broadway professional I admired and after one lesson I was hooked. He looks at each student as a unique person and inspires them to challenge themselves to develop their voice, their (often) hidden talents while discovering the best songs and roles for their personality. He focuses on the technique of muscular coordination and the understanding of how correct vowel/constant connections can expand the volume and allow for greater versatility. Within two classes he pushed me out of my safety alto talk speak and challenged me to be courageous through his warm-hearted humor and caring. He is a true educator and inspiration. He is the rare voice teacher combining technical expertise with a wonderful sense of humor and the ability to put me at ease. He has given me the courage and ease to present my own Cabaret Act at age 70 in New York City. I wouldn't have dared it without him. My friend was right-he is the best teacher in the business- so if you have to- travel from Philadelphia and Boson to study with him, it's not that far and the knowledge gained is well worth it, at any age."

Bio:
Carol Burns has enjoyed a varied career in film, television and on the stage including six years on the Japanese NHK-TV daily show BRUSH UP YOUR ENGLISH. Films include Disney's UNDERDOG, Ben Affleck's GONE BABY GONE, Columbia Picture's 21 and Paramount's THE FIGHTER. Stage roles include PIPPIN/Granny, ANNIE/Miss Hannigan, THE IMPORTANCE OF BEING EARNEST/Lady Bracknell, FIDDLE R ON THE ROOF/Yente, ANYTHING GOES/Mrs. Harcourt, THE WIZARD OF OZ/Miss Gulch & Wicked Witch and FUNNY GIRL/Mrs. Strakosh. Carol will be following in the legendary footsteps of Helen Hayes and Angela Lansbury as she takes on the role of Miss Marple in a summer production of A MURDER IS ANNOUNCED. She returns to NYC this fall where she will continue preparing for her NYC cabaret debut in 2012.

"I first met Michael at a musical theatre audition workshop. We immediately hit it off and his knowledge and professionalism seemed like what I had been looking for, for a very long time. I had gone through way too many vocal coaches, singing coaches, and vocalist instructors to name. I was looking for someone that didn't want to just make my current sound 'pretty'. I was in search of more and when Michael and I began working I understood, finally, what that 'more' was. Michael taught me how sound was not only produced in my body but how it was released and how I could get out of the way (mentally/physically) and let the sound fully live. We worked my instrument to new natural heights! I was wonderfully surprised that understanding the mechanics of vocal production could lead to such powerful, pitch perfect tones. I am a true believer in Michael's technique and constantly look forward to our work sessions. If you are looking for more than someone to stroke your ego and let you sing pretty at every work session, if you are ready to produce and understand your instrument and let it work for you I highly recommend seeing Michael."

Bio:
Erica Bradshaw most recently appeared Off B'way in her one woman show WHITE AMERICA HERO. Film/TV: Rescue Me/FX, THE GOOD WIFE/CBS, LAW & ORDER: SVU/NBC-Universal, SIX DEGREES/ABC-Touchstone, THE DISTRICT/CBS, PORTRAIT OF A LIFE: THE ARTHUR MILLER STORY/Lincoln Center Films. Off B'way: MR. PETER'S CONNECTIONS /Signature Theater (NY) World Premiere. Regional Theatre: VAGINA MONOLOGUES, THE GOOD BODY, AS YOU LIKE IT, ROMEO AND JULIET , and THE SYRINGA TREE where she was nominated for the 2006 Barrymore Award/Charlotte Cushman Award - Outstanding Leading Actress in a Play.

"I have been working with D. Michael Heath for over 16 years. Since the moment I walked into his studio in college, I knew that we were going to cultivate a special working relationship. Michael's first priority was to show the detailed anatomy described in the pedagogy books so that I would understand what was physically happening inside my body when I sing. It was set from the beginning that there is a science to singing and it laid the ground work to develop good technique which is the key to a long and healthy career no matter if you're in a rock musical or an Opera. As a performer himself he really understands what the lifestyle of a singer is like and has given me invaluable advice over the years based on his experience and working with some of the best people in the business. His passion for teaching is unparalleled and he is like no other teacher I have ever worked with. We have a system when we work which I like to call "mapping out". We go through the each piece of music I'm working on and map out exactly what I'm going to do in the piece. How to color words a certain way in order to achieve tone, pitch and various colors, where to breathe and how to phrase in order to achieve the overall style and arch of the song. Michael has the ability to go through a piece of music in this manner to better understand your voice so you may use it to its fullest potential. It's a pretty amazing gift and it's something I will use for the rest of my life. He has been there for me every step of the way with my career and in many ways I could not have gotten this far without him. He is in my opinion, the best teacher in New York."

Bio:
Broadway credits include SONDHEIM ON SONDHEIM, A CATERED AFFAIR (Drama Desk Nomination), LEGALLY BLONDE (Clarence Derwent Award for Most Promising Performer) and HAIRSPRAY. She received critical acclaim and a Time Out New York award for her sold-out Joe's Pub run of LESLIE KRITZER IS PATTI LUPONE AT LES MOUCHES (a performance she repeated at The Plush Room in San Francisco). Off-Broadway and regional credits include NEWSICAL, EVERY TONGUE CONFESS (Arena Stage), MEMORY SHOW (Barrington Stage Company), ROOMS (Outer Critic Circle Nomination), ON THE TOWN (Encores!), THE GREAT AMERICAN TRAILER PARK MUSICAL (Drama Desk Nomination), BAT BOY, GODSPELL, POP!, BROADWAY: THREE GENERATIONS (Kennedy Center), CABARET, BORN YESTERDAY, the world premiere of VANITIES, URINETOWN (National Tour), EVITA and an acclaimed "Fanny Brice" in FUNNY GIRL. She has performed at London's Royal Albert Hall as a guest soloist honoring Tim Rice and Alan Menken and can be heard on several cast recordings. Film credits include "17 Photos of Isabel." Television credits include Law & Order SVU (NBC) 3LBS (CBS) and Jason and Jessica (HBO). She recently did her solo show BEAUTIFUL DISASTER at Joe's Pub in NY at Joe's Pub. She is a proud graduate of the University of Cincinnati College Conservatory of Music.

"I started voice lessons with Michael about three months ago. I explained to him my interests in musical theater and what I hoped to accomplish. He is very understanding and has been helping me with exercises to make my voice stronger every day. As I am from Argentina, English is my second language and Michael has been very good at helping me with my accent. I've taken voice lessons before but this is the first time that I've really experienced a change in my voice and I'm very excited to keep growing. I think Michael is a great teacher and is also an excellent person; funny and sweet. He makes me feel very comfortable and I can say that I have an amazing teacher and a friend. Thank you Michael, I'm looking forward to learning more and having more fun!"

"Working with Michael has made me a singer again. After suffering an intense couple years of vocal injury and illness, I had developed many bad vocal habits as well as lost all my confidence. Through our work, the answers I had been looking for were found. Michael demystifies the voice and how to use it and I now feel that I can approach a song in a healthy, vocally balanced way. I've never felt better about my voice or had more fun singing!!!"

Bio:
Broadway: LES MISÉRABLES (Eponine u/s), National Tour: LES MISERABLES (Fantine u/s, Eponine u/s) Off-Broadway: The Director's Company's world premiere of THE MILLINER as Amalia, Sake with the Haiku Geisha (Gotham Stage Co). Regional: PASSIN' IT ON with Len Cariou (Coconut Grove Playhouse), Lucy in JEKYLL & HYDE (Merry Go Round Playhouse), Petra in A LITTLE NIGHT MUSIC (North Shore Music Theater), Dingo Dog in JUST SO (Goodspeed Opera House), Jennie in SHENANDOAH (North Carolina Theater).  TV: Blue Bloods, The Onion News Network, One Life to Live, The Education of Max Bickford. Julia has a BFA in Acting/ Musical Theater from Carnegie Mellon University.  She is a Co-Founder of Gotham Stage Company and a die-hard Yankees fan.

"Michael is a chameleon. On any given song, on any given day my issues change. Sometimes I can't quite get the sound I want for the style, sometimes I can't figure out the acting of the piece, and sometimes it's both. No matter the obstacle, Michael has a special ability to adapt to the situation at hand. He can draw upon his many years on a Broadway stage to help me discover the characters point of view. He can draw upon his sometimes freakish knowledge of the human voice, to help me open my upper register with ease and coordination. His biggest gift though, is his commitment and passion to the work. I know that when I go to work with him, I will get nothing less than 110% of his heart and soul. That support is immeasurable when navigating a big audition, or 8 shows a week on a Broadway stage."

Bio:
Kevin Crewell has appeared on Broadway in SPAMALOT and in the National touring productions of JERSEY BOYS, SPAMALOT and THE DROWSY CHAPERONE.

I began studying with Michael after a three year hiatus from performing. I was a bit apprehensive as I had not sung for awhile and was worried about how things would go. Michael, with his warm demeanor and sense of humor, put me at completely at ease and most importantly, got me singing right away. He asked me what it was I wanted from singing at this point in time. It was funny, because I hadn't actually given it any thought. I just wanted to "get back out there."

Very quickly I learned from Michael that in order to be "out there" I had to be "in here," in my physical body. This meant that I had to actually know what it was that my body was doing. Not just what my body was doing, but also, what my mind was doing while in the process of making sound. Initially, had me watch a video, which I have to say I was a bit resistant to, as I just wanted to get on with the singing. But in fact, the video was extremely useful and full of surprising information about what the body actually does while one is in the process of singing or making sound.

Studying with Michael has been a process of undoing a lot of the bad habits I had acquired over a lifetime of singing. Some of the habits I had acquired were as a result of doing eight shows a week for many years and getting into the habit of trying to produce a fixed sound even when my body wanted to do something else, trying to "make that leap" or "go for the money notes", etc.

He showed me, through the use of video and in class demonstration, exactly what my diaphragm and my body were doing while engaged in the process of making sound. Once I understood what my body was doing, I could just be with my body. I understood that the whole body was engaged and that if I used my diaphragm correctly and just let the air flow I could be present in the moment when it was making sound, not anticipating what it should be doing or contorting my mouth or tongue or any part of me to "make" a sound. I could therefore be more connected as a singer and clearer about what it was I was trying to convey.

I would say that I rediscovered a complete love of singing that had been a little bit burned away. My vocal range has increased tremendously. Almost effortlessly, I sing notes I did not know I was capable of singing, and I don't feel exhausted or like I am straining. It feels completely open and natural.

I think Michael is an extraordinary teacher. He is supportive, has firsthand experience of the demands of performing, and is extremely knowledgeable, generous, compassionate and funny! I am grateful to him more than I can say.

Bio:
Broadway: RENT (Mimi), DREAMGIRLS. London's West End: PORGY AND BESS (Clara and Bess), RENT (Mimi), FAME (Carmen), MAMA I WANT TO SING (Lena Horne), OUT OF THE BLUE (Hannah), MISS SAIGON (Gigi). Film & Television: Piñero (Tutu), Law & Order (Abby Bishop), Casualty (Valentina Minola), Doctor Who (Spanish Maid).

"It is my great pleasure to write on behalf D. Michael Heath. Currently, I work as a Cantor at the Conservative Synagogue of Fifth Avenue in NYC leading worship services through song. Coming from a background with a B.F.A. in Music and Theater, an M.S. Ed. in Museum Education, and years of professional performing and teaching experience myself, I have had a plethora of opportunity working with a variety of teachers and educators, and have revered many role models. Michael possesses the rare ability of bridging the roles of teacher, mentor, communicator, and friend, together, carefully weaving all of the best attributes of these roles in order to create someone whom I truly respect and admire. Even though, I only have studied with him a short time, his lessons have helped me tremendously in how I visualize my vocal chords, use my breath as its own instrument, and use the text of material to shine through the voice. Michael has excellent teaching standards, is extremely proficient and has such a breadth of knowledge of the physiology of the voice. His confidence mingles with a strong sense of humility that is also extremely rare to find in someone who possesses such talent. He teaches with exemplary knowledge and wisdom with a creativity that surpasses the banal pedagogy so often found in many educators. His approach to teaching voice is creative and lively as well as challenging and serious. He emphasizes the value of hard work, and the importance of "process" rather than product. There is no question that Michael Heath will bring a special influence and inspiration to any student that surrounds him. He will help students find breath, spirituality, wisdom, knowledge and light to their voices."

Bio:
A native of Los Angeles, Cantor Bat-Ami Moses (aka Bethany) is delighted to be living in New York and serving the Conservative Synagogue of Fifth Avenue.  She received her investiture as a Hazzan from the H.L. Miller Cantorial School of the Jewish Theological Seminary of America with a Masters of Sacred Music in May 2007. She also holds a B.F.A. in Musical Theater from Syracuse University and an M.S. Ed. in Museum Education from Bank Street College of New York. Cantor Moses has served in several pulpits, including the Midway Jewish Center, Syosset, New York; Congregation Ahavat Achim, Howell, New Jersey; Congregation Agudas Achim, Iowa City, Iowa; and the Orangetown Jewish Center, Nyack, New York. She has been a guest artist and Cantor at Congregation Ansche Chesed in New York City; Congregation Rodeph Shalom, Bridgeport, Connecticut; and Isabella Friedman Camp, Falls Village, Connecticut. She has spent summers working as an educator for Camp Ramah in Nyack, New York, and in Israel at the Nesiya Institute, a pluralistic program in which Israeli and American teenagers experience the land of Israel while exploring Judaism through the arts. It is her vision to elevate people to their own prayer and healing through the language of music and liturgy intertwined.
She has performed in and produced many concerts, including "From Broadway to the Bima," a one woman cabaret show, "Joy," performed at the Triad and Duplex Theaters in NYC, annual Benefit concerts for ATZUM, an Israeli organization that engages in social justice projects. She has performed off Broadway and in regional theaters throughout the country.  

"From my very first lesson with D. Michael I could tell he was not your average voice teacher. His knowledge of the vocal apparatus and all that connects and supports it was information that I hadn't received from any other voice teacher. Along with his ability to help me get the most from my voice as an instrument, he teaches with kindness and humor; I always feel safe and supported during a lesson. Simply put, after studying with D. Michael it's safe to say I have found 'the one'!"

Bio:
With a career as a performer in the entertainment industry that spans over twenty years, Aaron has the good fortune to have his talents be featured in numerous film, television, commercial and theatrical projects both in domestic markets and abroad. Walt Disney Pictures, NBC/Universal, Levi's, and Coca-Cola are a few of his former clients. Most recently he took a hiatus from performing to pursue his love for design by accepting an offer as a Design Associate at a leading interior design firm in New York City. In is personal life, Aaron has traveled extensively and has been able to infuse his work in entertainment and design with the influences from the over 70 countries he has visited.

"D. Michael Heath has both the knowledge of technique and the knowledge of the heart that are the basis of outstanding vocal coaching and teaching. His technique is personal and focuses on healthy production and resonant sound giving the singer a strong foundation to sing all styles of music. His background in the business makes him not only knowledgeable about the technique of singing professionally, but also about the obstacles of singing professionally and how to overcome them. This background makes him an amazing coach for audition material and performance material. For me personally, he has strengthened my technique and my confidence as both a vocalist and an actor. Spending time with him at the piano is always a joy and I highly recommend working with him if you are looking for serious study and support! He'll make you feel like nothing is out of reach :)"

Bio:
Broadway: HAIR (Jeannie), WICKED (Glinda); LEGALLY BLONDE; THE MUSICAL-original cast (Margot). Off Broadway: RENT (Maureen). Chicago: WICKED (Glinda) Workshops/Readings: KINKY BOOTS, ALL NEW PEOPLE, CARRIE, BRING IT ON, BANANA SHPEEL Cirque du Soleil, CATCH ME IF YOU CAN, PAL JOEY, BLACK SUITS.  National tour: WICKED. New York: FEELING ELECTRIC, NYMTF '05. Feature Films: Sex & the City, Rachel Getting Married. Television: Smash (pilot), The Big C, Law & Order, Legally Blonde; The Musical MTV. Graduate of Marymount Manhattan College.

Singing has been my favorite thing to do my entire life. But, after having vocal injury shortly after graduating from college, my confidence level for producing a healthy quality of sound was shot. My
passion for singing remained, but some of that passion was replaced by anxiety and doubt.

Then I met D. Michael Heath. For years, I had felt at the mercy of my voice. Will it be there today? Will that note come out?? I am thrilled to say that is no longer the case. Through my work with D. Michael, I have a new understanding about the nature of vocal production and have countless tools to ensure that my instrument is flexible, healthy and always available to me. I am no longer at the mercy of my voice - I am an active participant in creating it, infusing my singing with as much flexibility and creativity as possible.

D. Michael's knowledge of musical material, spanning countless genres, combined with his 30+ years of experience in show business is invaluable resources. His enthusiasm for his craft, and his love for the power of music, infuse his teaching with a sense of excitement and pure joy about the expression that is singing.

It is no exaggeration for me to say that the work that I have done with D. Michael Heath has changed my life. He has not only given me the technical skills to make my singing better - easier, more accessible, and more connected - but, he also has nourished my creativity. He has boosted my confidence level and encourages me to make braver, more specific choices. And, he reminds me to just have fun with it!

Bio:
NATALIE JOY JOHNSON has appeared in both the Broadway and first national touring productions of LEGALLY BLONDE the musical (as Enid and Paulette respectively). Other credits include BARE: A POP OPERA (Nadia), HOW TO SAVE THE WORLD... (Greek Chorus) & BUT I'M A CHEERLEADER (Sinead). Natalie recently premiered her new one woman show RELENTLESS to a sold out crowd at Joe's Pub. She has headlined in venues all over New York, including Joe's Pub, Ars Nova & Feinstein's at the Regency. www.nataliejoyjohnson.com

"Studying with D. Michael has been the most important investment of my career. His extensive knowledge of vocal mechanics has allowed me to sing safely and healthily through a wide variety of musical styles. My range has expanded, my confidence has increased, and I now feel like I have control of my instrument. There is no end to my praise for this brilliant teacher. Studying with D. Michael is a must for every singer at any level of their career."

Bio:
Broadway: LEGALLY BLONDE (UPS Guy), Disney's TARZAN. National Tours: LEGALLY BLONDE, SATURDAY NIGHT FEVER, SWING!  European Tour: GREASE. Regional: CUTMAN: A BOXING MUSICAL (Goodspeed), Orin Scrivello, DDS in LITTLE SHOP OF HORRORS (TUTS), Luke in ALTAR BOYZ (Actor's Playhouse), 110 IN THE SHADE, SINGING IN THE RAIN, A WONDERFUL LIFE, THE ALL NIGHT STRUT, SWING!, ON THE TOWN.

"The brilliance of D. Michael's teaching is that it is completely comprehensive. He is a master in helping to navigate through the technical-textual continuum, which ultimately results in a fully engaged, vocally free and exciting performance. Working with D. Michael I now have a much more grounded sense of my instrument. He is able to tailor and personalize every lesson by diagnosing where you are vocally within the first few minutes. Our lessons are incredibly active, thought provoking, and very liberating. D Michael is very analytical, and incredibly specific, but also very warm and lots of fun! Under his tutelage my vocal flexibility and range have grown. I've expanded the vocal colors & timbre, and my ability to achieve a wider range of dynamic contrasts has increased. My ability to switch between musically genres has also greatly improved. Since beginning my studies with him, I have booked more work and had more callbacks than ever before."

Bio:
A Philadelphia native, Paris Nesbitt has appeared as a soloist at The Kennedy Center, The Kimmel Center, The Academy of Music, and Seiji Ozawa Hall. As a theatre performer Paris has performed roles at The Walnut Street Theatre, The Media Theatre, Penn State URTC, and New Candlelight Theatre. Favorite Roles include Candide, Orfeo, Aaron (Curtains), Eisenstein (Fledermaus), and Hero (Forum). He is a Graduate of Penn State University.

"Thanks to Michael's voice lessons, I am more confident and feel better than ever about my voice. Before, I was frustrated as a singer and thought of giving up all hope of doing better, but Michael taught me valuable lessons and helped me to better understand myself and my instrument. He challenged me to come out of my comfort zone and try a new approach to grow my voice. So effective, so powerful, I will not forget what Michael has taught me. Every time I travel to NYC, I always see Michael. I always come out of his lessons singing better than before! Thanks so much, Michael!"

Bio:
May Ng is a musical theatre lover and has pursued formal training in singing, dancing and acting at various schools and with several performance organizations in Hong Kong. She first began working with D. Michael in his NYC studio in 2009. She has been regularly involved in choral singing and continues to perform in concerts and at special events with her choir in Hong Kong.

"After working with Michael for over two years, I have discovered a much deeper understanding of my voice, both physically and artistically. With each lesson I walk away with a larger bag of tricks. Whether it be increasing my range, improving my musicality, or making it easier to break down a song through vowel placement and character choices. All this in a jam-packed hour long session that remains fun and positive. The thing that I really respect and appreciate about Michael is his constant desire to increase his understanding of the human voice. He is always on panels, going to conferences and researching on his own so that he can better serve his students. This is a trait that I respect from any professional. I would recommend Michael to anyone interested in pushing themselves to discover and broaden their vocal performance, and I do! Everyone I know that works with Michael raves about him. He keeps each session fun and energetic and at a price you can't beat!"

Bio:
Noah Aberlin is a Brooklyn, NY native. National tours: YOUNG FRANKENSTEIN (Ensemble, u/s Dr. & Igor); WIZARD OF OZ (Scarecrow); THE PRODUCERS (Ensemble, u/s Leo Bloom); CONTACT (Swing/Dance Captain). Regional: ANNIE GET YOUR GUN (Goodspeed); DAMN YANKEES, Producers, Contact (North Shore); GREASE (KC Starlight); CARNIVAL (Papermill). Also CANDIDE with the NYC Opera. Noah holds a BFA in Musical Theatre from Syracuse University.

"Before my vocal lessons with D. Michael, I was an actress/dancer/singer who had a lot of passion and dedication to her craft, but who did not meet her full potential. It was not that I was not capable of expanding my range, experimenting with vowel sounds to make my phrasing more connected, or using a supported breath. However, without the training I have received from my teacher as well as my true inspiration to make my work more well rounded and actually fun, I would not be at the Wagner College Theater program or in many of the roles I have played in my undergraduate year. Before my training with Michael Heath, the coordination of my breath, use of the words/text while signing, as well as understanding of the text would not be up to par as they are now. Being a student of Michael's for almost four years, I come away from every voice lesson learning something new. D. Michael is the most compassionate, humble, and inspiring person I have met in this profession we call show business. He is a cheerleader on a good day or bad day (and he seems to make every bad day a little bit better through his encouragement and technique for me to get my voice back on track). As a soprano as well as belt/mixer, my voice has never been healthier or more vibrant. As a performer in this wild world of show business, I am more confident to do what I love. I owe so much of my newfound passion to D. Michael for opening my eyes to the fact that singing can be fun again. Every lesson is a new journey into knowing me as an individual as well as a singer, actress, and well-rounded performer."

Bio:
Natalie Wagner is from Baltimore, Maryland and an undergraduate attending Wagner College on Staten Island with a Theatre Performance & Speech major and Anthropology minor. Some of her college credits include MIDSUMMER NIGHT'S DREAM as the Amazon Queen Hippolyta, HAIR singing the "White Boys" trio along with being a singer/dancer in the free loving tribe, and next semester she is going to be playing Mary Magdalene in the upcoming production of JESUS CHRIST SUPERSTAR directed by Michelle Pawk.

"I first met Michael when he was a guest lecturer at the Hong Kong Academy for the Performing Arts. I always thought that I was an alto but during our workshop, where he encouraged me to use a variety of vocal exercises; he helped me to realize that my vocal range was considerably more than I had known. He has improved my singing technique and become a true mentor. When I visited New York City he encouraged me to take several Broadway open call auditions. Under his guidance I made it to the final rounds for MOVIN' OUT, CHICAGO, and CATS. Even though I wasn't able to be cast due to my nationality, I learned so very much from every audition and cherish the experiences and memories those auditions gave me. I am a musical theater performer residing in Hong Kong and currently performing around the world in JACKY CHEUNG'S 1/2 CENTURY TOUR. I am so proud to be one of Michael's students."

Bio:
Hong Kong: THE LIAISONS/2010 HK Art Festival, CYRANO DE BERGERAC/Roxanne, POSTCARDS FROM BROADWAY/Lead Singer, PIPPIN/Fastrada, THEY'RE PLAYING OUR SONG/Sonia, WEST SIDE STORY/Anita, MERRILY WE ROLL ALONG/Gussie. Japan: CRAZY FOR YOU/Ensemble, Shiki Theatre Company. Education: Hong Kong Academy for Performing Arts (HKAPA), Diploma and Advanced Diploma of Musical Theatre.

"Michael Heath is a powerful voice teacher. His immense knowledge and passion about how the voice works and how to keep it healthy are in my opinion unparalleled. He's been around long enough to know that we all learn differently and that different things work for different people and he takes the time to figure out the best way to communicate that to you. I learned and "unlearned" so much in my first couple of lessons. It's really hard to say enough good things."

Bio:
Catherine Cox most recently appeared as Janet in VOTE FOR ME (NYMF) and just prior to that, she received wonderful notices for her work as "Mother" in the world premiere of THE MEMORY SHOW at Barrington Stage Company. Her Broadway credits include leading roles in FOOTLOOSE, OH, COWARD! (Tony Nomination), BABY (Drama Desk Award), RUMORS, MUSIC IS, WHOOPEE!, BARNUM, and ONE NIGHT STAND. Off-Broadway, she has appeared in William Finn's IN TROUSERS, RAP MASTER RONNIE, BY STROUSE, IT'S BETTER WITH A BAND and THE WAVES. She played Oolie in the LA production of CITY OF ANGELS and has appeared extensively in regional theater.  Her television appearances include an assortment of LAW AND ORDER's and THE COSBY SHOW.  Directing credits: BABY, QUILTERS, ONCE ON THIS ISLAND, SEUSSICAL, BYE BYE BIRDIE and A, MY NAME IS ALICE.  Catherine is an adjunct professor for the Drama Department at Queens College and currently teaches Musical Theater Performance at AMDA (American Musical and Dramatic Academy) in New York.  She is happy to be married to David Evans, a composer and Associate Conductor of the long running Broadway musical, WICKED and is the proud mother of two wonderful young men, Joe and Henry.  She has also given birth to two plays, SWEET BETSY and THE DIVIDE.

"I used to hope for good luck and for the muses of music to kick in and help me when I sang. Then I met D. Michael! He has taught me it's a physical process - reasoned and manageable. It's possible to warm up and always sing well even when challenged by less than optimal health or environmental conditions. With D. Michael singing is joyful & perceived problems become opportunities with many, many solutions. I believe D. Michael offers the incredible opportunity to meet your authentic voice, sing in any and all musical styles and most importantly to learn a healthy vocal method that will serve you for a lifetime. I could not recommend him more highly!"

Bio:
(Broadway) Scarlet Pimpernel, Zoya's Apartment (National Tours) West Side Story, Gypsy, The Music of Andrew Lloyd Webber (Regional Theatre) I Do! I Do!, Bat Boy, Camelot, Carousel  (Concerts) Night of 1000 Voices at Royal Albert Hall, Philadelphia Pops Orchestra, Richard Rogers Awards Gala, An Evening With Tim Rice and BAM's Birthday Celebration for Stephen Sondheim.

"Michael and I first met in 1980 when were fellow performers working with Joshua Logan in MUSICAL MOMENTS, a musical revue featuring the songs from Josh's many films and stage musicals. We have enjoyed a lovely friendship both on and off the stage ever since. We have also shared the stage in numerous industrial shows and musical revues around the world where Michael served as both performer and director. So many years working and being friends. I was always amazed that he was such a fan of other singers, never jealous, always supportive, always non-judgmental and appreciative of all styles of music. As a Juilliard drama major, I always felt my voice was a 'gift' and singing was a natural extension of using that gift. But at one point in my singing career I experienced serious vocal issues that required surgery. Following the surgery my confidence fell and so did my bookings. Knowing Michael was a vocal instructor and technician, I asked my friend for help. Michael went with me to my vocal therapy appointments to meet my doctor in order to understand and coordinate with her a comprehensive plan to restore my singing voice and my confidence. Our work included a series of therapeutic warm up exercises and a healthier approach to the process of breathing and singing. Michael is a friend. I adore him as a singer, respect him as a qualified teacher of many vocal styles and trust him implicitly."

Bio:
Pamela Blake is a professional saloon singer having performed in numerous New York City, Atlantic City, Las Vegas venues and having headlined with her solo cabaret act on numerous cruise lines travelling around the world. Broadway: EVITA (Eva Peron) ROCKY HORROR SHOW (Janet w/Tim Curry),1st National Tour: EVITA (Eva Peron) Regional: ANNIE GET YOUR GUN (Annie w/ Joshua Logan, Director), CHERRY, a musicalization of Bustop (Cherry w/ Joshua Logan, Director) Pamela is a graduate of the Juilliard Drama School.

"Within just a few weeks, D. Michael has already helped me to grow as a singer. He's given me better breath support, greater ease in my top notes, and an expanded range. It's like I have a new instrument—I'm excited again to sing!"

Bio:
Theatre: The Lion King (West End, Las Vegas, and Gazelle Tour); Denver Center, Theatre Aspen, Creede Rep, Prospect Theatre, Cabaret Cucaracha. Favorites: Sweeney Todd (Anthony), God's Country (Robert Jay Mathews), Twelfth Night (Feste), Misalliance (Gunner). Television: All My Children. Film: The Stare.  MFA: National Theatre Conservatory (Denver); AB: Brown University.

"I came to Michael because I do a lot of singing for my community theater group as well as my synagogue. From day one, Michael has been nothing but positive (and made it clear that there is no room for negativity) as he helps me to improve my voice quality.  With each lesson I grow in skill and confidence. His vast knowledge of the voice along with his uplifting and encouraging attitude make him an outstanding voice teacher."

Bio:
Ally Tash teaches Hebrew language at the Rodeph Sholom School in 2nd-4th grades. She has performed for the past 3 years in the Congregation Rodeph Sholom Theater Company's annual musical. Ally chants Torah frequently for a number of Upper West Side synagogues.

"D. Michael Heath's studio is truly remarkable! He is wonderful teacher, a master of vocal technique, and the performing arts. When it comes to knowing his craft and having the ability to provide concise tactics to best serve your performance, D. Michael is exemplary! Every lesson in his studio is a beneficial and well-rounded experience. He shares his passion for music and theatre. His talent and insight will facilitate your development as a singing artist."

Bio:
A passionate performer and artist, Jason Fazio is a 2009 graduate of Kutztown University and alumnus of The University of The Arts where he began his theatrical training. He is blessed to have performed in HAIRSPRAY (Brad) at The Ritz Theatre, High School Musical I & II with WJS Productions, and has sung at The Victor Café in South Philadelphia. Jason was chosen to be one of the male vocalists for the studio recording of Reunion, a theater score created for the ASCAP musical theater workshop hosted by Broadway composer, Stephen Schwartz. As a Full Scholarship recipient, Jason performed with The Broadway Dreams Foundation in 2010 at The Kimmel Center for the Performing Arts in Center City Philadelphia where he has been invited to return again this summer as an intern.

"D Michael Heath has completely changed my entire approach to singing.  I came to him with a big instrument and very little technique.  Through a combination of detailed technical information and intensely personalized, individual-voice-specific exercises and instruction, he has expanded my range, unlocked new sounds and freed my instrument in ways I did not know were possible.  His familiarity with all physical aspects of vocal production enable him to pinpoint exactly what needs to happen to allow my voice to reach its full potential.  More importantly, he knows how to explain everything in a way that is easy to understand and allows me to leave a lesson armed with the specific tools and exercises my voice needs.  Technical aspects aside, he is one of the most caring people, let alone teachers, I have ever met.  He cares not only about your voice, he also cares about you.  His love of teaching and watching his students grow and develop makes every lesson an invaluable experience not only for vocal production, but also for the heart and soul."     

Bio:
Molly Pope is a critically acclaimed cabarettist whose solo shows, Introducing Molly Pope, The Molly Pope Show, and The Diva-lution of Molly Pope, have played Joe's Pub, The Laurie Beechman Theater and the Adelaide Cabaret Festival in Australia. Hailed for her "viscerally thrilling alto" by Time Out New York, she is a regular guest at the MAC-award nominated show, The Meeting* with Justin Sayre, and has performed in the hit long-running Top Ten countdown show Our Hit Parade at Joe's Pub over 25 times. Other concert and live appearances include Foreign Affairs at the Night Hotel, Tingel Tangel Club and frequent guest hosting at Mostly Sondheim at the Duplex. On stage she has appeared as Regan in King Lear (Gallery Players/Players Shakespeare), Colleen/Sanchez/Sequins in Bromance: The Dudesical (Caroline's on Broadway, 92Y Tribeca), Maria in Twelfth Night, The Drinking Game (Legitimate Theater Co) and Fran in the tour of Swing For Victory (Lively Arts). On camera work includes Law & Order: SVU, Secrets of the Mystic Oracle, Hunting and Evie's Big Break (both at Big Apple Film Festival), and promotional spots for Papa John's Pizza, Sundance Channel and Bristol-Myers Squibb. She earned a BFA in drama from New York University and has studied with Louis Scheeder and Darci Picoult. 

"I have never known an artist more dedicated to, or passionate about, vocal production than D. Michael Heath…how blessed I am to have been on the receiving end of his vocal instruction, coaching, guidance through challenging musical passages, poignant, effective direction, and some of the most rewarding experiences I have ever felt sharing a stage."

Bio:
Broadway credits: WONDERFUL TOWN, RAGTIME, KING DAVID, SINGIN' IN THE RAIN, BROADWAY MUSICALS BY THE YEAR 1935, and City Center ENCORES' productions of HOUSE OF FLOWERS, ST. LOUIS WOMAN, WONDERFUL TOWN, & ON A CLEAR DAY. National tours include PHANTOM OF THE OPERA, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, and the world premiere of WHISTLE DOWN THE WIND. Laurie starred opposite Colm Wilkinson in the original Canadian & American tours of MUSIC OF THE NIGHT and was handpicked by Andrew Lloyd Webber for his premier production of THE MUSIC OF ANDREW LLOYD WEBBER IN CONCERT starring Sarah Brightman. Television credits: PBS's Great Performances SHOWBOAT, NBC's TODAY SHOW, and ROSIE O'DONNELL SHOW.

"When I met Michael at our first lesson, before I knew of his incredible expertise in vocal pedagogy and impressive career as musical performer, I was struck by his warm and friendly demeanor and excitement over welcoming a new student into his roster. Then as we began to work I came to realize that, not only is he a kind and genuine person, this guy REALLY knows his stuff. Though I was no stranger to studying voice and knew the basic fundamentals of voice production, Michael's knowledge was SO specific, down to the anatomy of all of the body parts and organs that go into the creation of sound, that I felt newly invigorated. By having this detailed information, along with the vocal warm-ups he has specifically designed to really stretch and condition the vocal chords, I noticed a major difference in my range and tone and overall vocal flexibility in just one lesson!

In studying with Michael this past year, we have worked on everything from traditional musical theater songs to straight up belt-your-face-off rock tunes. What is so wonderful about Michael is how he embraces all vocal styles and can apply his vast knowledge of the human voice to insure that his students can achieve a certain vocal style in the healthiest way. Michael is a truly gifted teacher and it is apparent that he loves what he does. Whether an amateur singer or professional vocalist, I believe everyone has something to learn from Michael Heath."

Bio:
Amanda Ferguson is an actress, singer, and songwriter. She has a BFA in Musical Theater from Syracuse University and has appeared in many stage productions both in New England and New York. Some favorite roles include Louise in GYPSY (The Foothills Theater), Sarah in GUYS AND DOLLS (FIP Arts Project), and Stella in A STREETCAR NAMED DESIRE (The Arthur Seelen Theater). She is currently working on a recording project which includes standards, pop tunes, and original material.

"Since singing with Michael I've gained a new appreciation for my instrument. I've learned the mechanics of the voice and more importantly their application. I'm singing higher with greater ease, less fatigue, and with more consistency. I'm excited and constantly challenged by the process in Michael's studio and after having studied with many, many teachers in the city I can tell you….. Michael is one of the best!"

Bio:
Credits include but not limited to: National Tours/ Off-Bway: Tony u/s in BILLY ELLIOT, SUPERFLY (upcoming), ANNIE GET YOUR GUN, A TREE GROWS IN BROOKLYN, ON THE TOWN. Regional favs: Chris in MISS SAIGON, Dick in DAMES AT SEA, Phil in WHITE CHRISTMAS, and CABARET. www.freddiekimmel.com Proud Cancer survivor.

"D. Michael is a brilliant person, who is honest, relatable and happens to be the quintessential voice teacher in New York City. I began working with D. Michael after a time of vocal disappointment. Within the four years I was living in New York I had worked with ten different voice teachers. Through my experience I felt like the biggest problem with some of the voice teachers I studied with, was that they spoke the language of vocal pedagogy but didn't know how to translate that language to me, their student. So I just kept searching for the vocal teacher who could help me understand my voice and learn how to apply these vocal techniques to my instrument. I was able to find two voice teachers who I thoroughly enjoyed working with; however, due to circumstances beyond my control (and theirs) I was again out of a voice teacher and needed someone to excel my voice to the next level. Then, after some research online I found D. Michael Heath and I decided I'd give him a call. I am not over-exaggerating when I say that on the day of my first lesson my life changed. D. Michael knows how to translate the science and concepts of singing so that the singer can understand and apply these techniques to their instrument. In the amount of time we have been working together he has literally transformed my voice from a rarely consistent all over the place mess, into an athletic instrument, allowing me to sing with versatility, excellent pitch and ease."

Bio:
Geri Brown was last seen starring Off-Broadway with Tony Award Winner Wilson Jermaine Heredia in TALES FROM THE TUNNEL. NYC Theatre: STREETLIGHTS (NYMF 09'), ROOFLESS (NYMF 10'),THE VAGINA MONOLOGUES (Nuyorican Poets Café). Pace University: ALL SHOOK UP (Sylvia), THE HOUSE OF BERNARDA ALBA (Bernarda Alba), NUNSENSE (Sister Mary Hubert), RAGTIME (Sarah's Friend u/s). Television: Closing Bell of NASDAQ (CNBC). Film: TUCHT (Supporting). Geri is proud to be a Third Generation Member of Actors Equity Association (AEA) and soon to be Second Generation Member of the Screen Actors Guild (SAG.) www.GeriBrown.com